While he was burned out, one of the main reasons for leaving was his father's illness. England and Wales company registration number 2008885. Genre Bill Evans Comment by user141746116smack. [10], During his tenure with Davis, Evans had problems with the mostly black audience. Evans started to play an introduction using an ostinato figure. Keyboard Magazine © LaFaro's death, at the age of 25, in a car accident, ten days after the Vanguard performances, devastated Evans. In this piano tutorial, I break down an insane minor 251 lick from a Bill Evans solo. It makes … Future Publishing Limited Quay House, The Ambury, My favorite Jazz pianist for 50+ years. He realized that Evans, who had worked with Russell, could follow him into modal music. [10], In July 1955, Evans returned to New York City and enrolled in the Mannes College of Music for a three-semester postgraduate course in music composition. Services were held in Manhattan on Friday, September 19. [8][9] He had a brother, Harry (Harold), two years his senior, to whom he was very close. Buyers' guides to all the best music gear, Free music samples: download loops, hits and multis from SampleRadar, Chris Cornell's Superunknown Jazzmaster sells at auction – but the Eric Clapton 'Slowhand' Strat fails to get a bid, The 10 best acoustic guitarists in the world right now, as voted by you, The 10 best bassists in the world right now, Arturia launches the V Collection 8 vintage synth collection, with new Juno-106, Emulator II and Vocoder emulations joining the party. The best new acoustic guitars in the world right now, as voted for by you, The 10 best new electric guitars in the world right now, as voted for by you. "Bach changed my hand approach to playing the piano. In February 1961, shortly after the Explorations sessions, he appeared as a sideman in Oliver Nelson's The Blues and the Abstract Truth. The triads over the Cmin6 chord are all scale tone triads taken from the C melodic minor scale. "I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. Russell wrote a suite for orchestra, "All About Rosie", that featured Evans, among other soloists. [10], In May 1960, the trio performed at one of the Jazz Profiles concerts, organized by Charles Schwartz. Each day becomes all of life in microcosm. How To Play Like Bill Evans. Evans's relatives believe that Ellaine's infertility, coupled with Bill's desire to have a son, may have influenced those events. Note how in Ex. Bill Evans is seen as the main reformer of the harmonic language of jazz piano. His use of intervallic minor thirds ascending chromatically in the right hand let him play over any harmonic movement without playing the actual chord changes. Kijk bij Nieuw Binnen voor de mooie Parel Evans's first long-term romance was with a black woman named Peri Cousins (for whom "Peri's Scope" was named), during the second half of the 1950s. By Some of the techniques used in the style of Bill Evans are discussed and examples shown, helping musicians analyze each of the ideas presented, further insuring mastery of these ideas. "[34] However, Evans and Davis kept in touch throughout their lives. [57], Bill Evans is seen as the main reformer of the harmonic language of jazz piano. [10] Russell was then developing his magnum opus, the treatise Lydian Chromatic Concept of Tonal Organization, in which he argued that the Lydian mode was more compatible with tonality than the major scale used in most music. Evans’ introspective style gave rise to frequent inner voice movement, which infused a contrapuntal component into his playing. There is no more influential jazz-oriented pianist—only McCoy Tyner exerts nearly as much pull among younger players and journeymen. "While I was staying with my brother in Baton Rouge, I remember finding that somehow I had reached a new level of expression in my playing. He visited his brother, now in Baton Rouge, Louisiana, recently married and working as a conservatory teacher. Herbie Hancock) he never fully embraced the new instrument, and invariably ended up returning to the acoustic sound. Evans and LaFaro would achieve a high level of musical empathy. [40], In September 1958, Evans recorded as a sideman in Art Farmer's album Modern Art, also featuring Benny Golson. 5 illustrates this difficult but effective technique to harmonize melodies. I hear music differently. [41] He was also a keen golfer, a hobby that began on his father's golf course. Sometime during the late 1950s, most probably before joining Miles Davis, Evans began using heroin. Discover releases, reviews, track listings, recommendations, and more about Chet Baker / Bill Evans - The Complete Legendary Sessions at Discogs. That’s what he wanted, after all. LaFaro joined his trio three years later.[33]. Evans regarded his last three years in college as the happiest of his life.[24]. You will receive a verification email shortly. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a seminal modern jazz trio. [22] A key figure in Evans's development was Gretchen Magee, whose methods of teaching left a big imprint on his compositional style. Some known examples are: "Waltz for Debby", for his niece; "For Nenette", for his wife; "Letter to Evan", for his son; "NYC's No Lark", in memory of friend pianist Sonny Clark; "Re: Person I Knew", an anagram of the name of his friend and producer Orrin Keepnews; "We Will Meet Again", for his brother; "Peri's Scope", for girlfriend Peri Cousins; "One for Helen" and "Song for Helen", for manager Helen Keane; "B minor Waltz (For Ellaine)", for girlfriend Ellaine Schultz; "Laurie", for girlfriend Laurie Verchomin; "Yet Ne'er Broken", an anagram of the name of cocaine dealer Robert Kenney; "Maxine", for his stepdaughter; "Tiffany", for Joe LaBarbera's daughter; "Knit For Mary F." for fan Mary Franksen from Omaha.[78]. [66] Other characteristics include sequenciation of melodies and transforming one motive into another. [42], One of the pieces to appear on the album was Leonard Bernstein's "Some Other Time". [10][63] Most of Evans's harmonies feature added note chords or quartal voicings. At that time, Ellaine meant everything to Bill, and was the only person with whom he felt genuine comfort.[10]. [9][47], Marc Johnson recalled: "This fateful trip marks [...] the beginning of the end. Bill had this quiet fire that I loved on piano. [12] At the age of seven, Bill began violin lessons, and soon also flute and piccolo. Print instantly, or … [71], Evans's career began just before the rock explosion in the 1960s. The first of two studio albums by the Bill Evans-Scott LaFaro-Paul Motian trio (both of which preceded their famous engagement at the Village Vanguard), this Portrait in Jazz reissue contains some wondrous interplay, particularly between pianist Evans and bassist LaFaro, on the two versions of "Autumn Leaves. He took a sabbatical year and lived with his parents, where he set up a studio, acquired a grand piano and worked on his technique, believing he lacked the natural fluency of other musicians. However, unlike other jazz players (e.g. He later abandoned them in part. [12], Evans remembered Leland with affection for not insisting on a heavy technical approach, with scales and arpeggios. A performance of the Ballets Africains from Guinea, in 1958, had originally sparked Davis' interest in modal music. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall. However, Gretchen Magee claims that the piece had been penned as an exercise during his college years, while Peri Cousins says that he would often play the piece at home. [72] However, Evans believed he had been lucky to gain some exposure before this profound change in the music world, and never had problems finding employers and recording opportunities. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time. [56] Fellow musicians paid homage to the late pianist in the first days of the 1980 Monterey Jazz Festival, which had opened that very week: Dave Brubeck played his own "In Your Own Sweet Way" on the 19th, The Manhattan Transfer would follow on the 20th, while John Lewis dedicated "I'll Remember April". "If I am going to be sitting here playing roots, fifths and full voicings, the bass is relegated to a time machine." Between May and June 1971 Evans recorded The Bill Evans Album, which won two Grammy awards. In 1960, he performed on singer Frank Minion's album The Soft Land of Make Believe, featuring versions of some of the Kind of Blue tunes with lyrics, along with Paul Chambers and Jimmy Cobb. Bill Evans has always been one of … Find Bill Evans discography, albums and singles on AllMusic. Some recordings in unusual contexts were made, such as a big-band live album recorded at Town Hall, New York that was never issued owing to Evans's dissatisfaction with it (although the more successful jazz trio portion of the Pavane concert was released), and an album with a symphony orchestra that was not warmly received by critics. Discover releases, reviews, credits, songs, and more about Bill Evans Trio* - Explorations at Discogs. Bath In 1974, Bill Evans recorded a multimovement jazz concerto written for him by Claus Ogerman entitled Symbiosis. During this period, he met two of Reed's friends: manager Helen Keane, who became his agent seven years later, and George Russell, with whom he soon worked. Ex. New Releases. Other highlights from this period include "Solo – In Memory of His Father" from Bill Evans at Town Hall (1966), which also introduced "Turn Out the Stars"; a second pairing with guitarist Jim Hall, Intermodulation (1966); and the solo album Alone (1968, featuring a 14-minute version of "Never Let Me Go"), that won his third Grammy award.[50]. Another important influence was bassist George Platt, who introduced Evans to the theory of harmony. Evans knew it was an audition, and that he might replace the recently fired Red Garland. [47] His brother Harry's suicide may have also influenced his emotional state after 1979. [41], Evans left Davis' sextet in November 1958 and stayed with his parents in Florida and his brother in Louisiana. [47], Music critic Richard S. Ginell noted: "With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. [10], In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel, and in August she recorded The Singing Reed with a group that included Evans. Better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard, where one day he saw Miles Davis listening to him. (...) [It's] merely an alternate keyboard instrument, that offers a certain kind of sound that's appropriate sometimes. The album took a year to make, and was successful enough to enable Russell to escape his penurious lifestyle. [2] His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. [61] Thus, Evans created a self-sufficient language for the left hand, a distinctive voicing, that allowed the transition from one chord to the next while hardly having to move the hand. Evans had overcome his heroin habit and was entering a period of personal stability. Evans joined the group in April 1958. "[74], Many of Evans's critics have commented on his detachment from the original black roots of jazz, believing that the European and classical traditions are of much greater import. "[15][51], Evans never allowed heroin to interfere with his musical discipline, according to a BBC record review article which contrasts Evans's addiction with that of Chet Baker. The result was his debut album, New Jazz Conceptions, featuring the original versions of "Waltz for Debby" and "Five". Although a critical success that gained positive reviews in Down Beat and Metronome magazines, New Jazz Conceptions was initially a financial failure, selling only 800 copies the first year. This subtle alteration creates unexpected harmonic interest. [32], That year, Evans also met bassist Scott LaFaro while auditioning him for a place in an ensemble led by trumpeter Chet Baker, and was impressed. [10] Evans's friend Gene Lees described Evans's struggle with drugs as "the longest suicide in history. resulted. He had also been too busy traveling with Davis to make a record. During one of his concerts at the Jazz Gallery, Evans contracted hepatitis, and had to retreat to his parents' house in Florida. He later named Mozart, Beethoven and Schubert as composers whose work he often played. Discover releases, reviews, track listings, recommendations, and more about Bill Evans Trio* Featuring Scott La Faro* - Sunday At The Village Vanguard at Discogs. [10][47] Although Davis seems to have tried to help Evans kick his addiction, he did not succeed. [10], George Russell upon hearing Bill Evans for the first time. We can speak of his highly nuanced touch, his melodic shapes, and his chord voicings and still be at a distance from the essence of his sound. By the end of the night, Davis told Evans that he would be playing their next engagement in Philadelphia. Evans spent the next night writing what would become "Blue in Green". There’s no doubt that had Bill survived to his 81st birthday, he would have added many more ways to this “five ways” list. William John (Bill) Evans (Plainfield, New Jersey, 16 augustus 1929 – New York, 15 september 1980) was een Amerikaanse jazzpianist.. Carrière. The music of Bill Evans continues to inspire younger pianists including Fred Hersch, Bill Charlap, Lyle Mays, and Eliane Elias[75] and arguably Brad Mehldau[76] early in his career. Actually, if you play Bach and the voices sing at all, and sustain the way they should, you really can't play it with the wrong approach." It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. "[41], Shortly after, he moved back to New York, and in December Evans recorded the trio album Everybody Digs Bill Evans for Riverside Records with bassist Sam Jones and drummer Philly Joe Jones. In 1963, after having switched from Riverside to the much more widely distributed Verve (for financial reasons related to his drug addiction), he recorded Conversations with Myself, an innovative album which featured overdubbing, layering up to three individual tracks of piano for each song. [23] Years later, when asked to play it, he said it was a spontaneous improvisation and didn't know it. While recovering, Evans recorded, as sidesman, in The Great Kai & J. J., and The Incredible Kai Winding Trombones for Impulse! Evans also appeared on albums by Charles Mingus, Oliver Nelson, Tony Scott, Eddie Costa and Art Farmer. LaFaro suggested Paul Motian, who had already appeared in some of Evans's first solo albums, as the drummer for the new band. The three relocated to New York City, but their inability to attract bookings prompted them to leave for Calumet City, Illinois. Between 1969 and 1970 Evans recorded From Left to Right, featuring his first use of electric piano. 52. ue sl onqnd 'fjut5uene 'ôulÅdoo pazuou)neun u!aaau Ile pa/aasaH panoas lu5uÁd00 leuoliewavul His four-note, rootless chord voicings consist of guide tones (thirds and sevenths), along with chord tones, color tones, extensions, and/or alterations.These compact voicings also have inherently smooth voice leading. After high school, in September 1946, Evans attended Southeastern Louisiana University on a flute scholarship. Moore staying the longest suicide in history, Bill Evans talking about Gretchen Magee [ ]. He met multi-instrumentalist Don Elliott, with an added emphasis on interplay band. 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